Call for applications to a 16-month program hosted by the Bern University of the Arts HKB.
Up to nine residents are invited to join the Sommerakademie Paul Klee (SPK) program, curated by artist Dora García, and beginning 2 August 2021. Over the course of 2021 & 2022, the SPK features public lectures, closed-door seminars, and access to state-of-the-art infrastructure and technical support at the Bern University of the Arts (HKB) – but also teaching opportunities in the form of workshops at the HKB. In response to ongoing practical and political contingencies, this call is addressed to applicants residing within an approx. 1000 km radius of Bern. For the same reason, we are newly introducing the option of digital SPK residencies, from further afar.
The Curatorial Program
The SPK 2021/22 wishes to echo, in this new two-year program under Dora García, a major change of paradigm that has swept the world (and the art world) over the last five to ten years: the feminization of politics. This by introducing an inclusive feminist perspective that has shaped a different way of relating to the world in economic, cultural, sociological, and aesthetic terms. We are in a time of transition; an in-between. We need to respond to this phase with resilience, intelligence, and generosity. Seemingly unmovable concepts in economy, culture, sociology and aesthetics, are very movable now. The SPK proposes to explore this new world with as little prejudice as possible, leaning on each other’s specificities, working towards a radical new idea of what it means for art practice and authorship. Hence also the intention to develop a substantial part of the 2021/22 program in close collaboration with the residents themselves.
The SPK caters to practitioners working at a postgraduate level, whether or not they have an official certificate saying so. Professional experience and intellectual appetite are the necessary requirements here. Though artists may be prioritized, other practitioners are very much encouraged to apply.
“Is the new type of work that feminist and queer feminist curating performs today, and which I conceive of to be co-dependent much rather than independent, crucial to an ongoing process of transformation from contemporary art into a not-yet-named art?”
(Elke Krasny, Curatorial Materialism. A Feminist Perspective on Independent and Co-Dependent Curating, 2016).